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ESG (EP)
''ESG'' is the debut EP by American post-punk band ESG. It was released by 99 Records in 1981. The EP received positive reviews from music critics. "Moody" became popular with house DJs, and "UFO" came to be one of the most sampled tracks in hip hop music. ==History==
Ed Bahlman discovered ESG while serving as the judge for a talent show and became the band's unofficial manager.〔Reynolds 2006, p. 272.〕 Tony Wilson from Factory Records approached the band after a performance at Hurrah in the Upper West Side of Manhattan, and three days later they began recording with Martin Hannett.〔 They recorded "Moody" and "You're No Good" in the first take. Hannett had three minutes left on the master tape, so he had the band record "UFO". The recordings helped bring Bahlman's focus to the band.〔 On December 3, 1980, he recorded ESG's performance at Hurrah, which became the B-side for ''ESG''. Bahlman formed a partnership with Factory so that his 99 Records label could release the EP in 1981.〔 By July, they made a second pressing of the record. The band's name—and the EP's title—stands for emerald, sapphire, and gold. Emerald and sapphire are Valerie and Renee Scroggins' birthstones, and gold refers to the record certification. The blue, green, and yellow cover artwork was adapted for ESG's 2000 compilation ''A South Bronx Story''. The artwork for its 2015 Record Store Day release of ''The Moody EP'' is loosely based on the ''ESG'' cover. Lead vocalist Renee criticized the adaptation, saying it looked like someone had "puked it on a canvas". ''ESG'' is a minimalist take on funk music, removing brass, saxophone, and synthesizers to leave vocals, bass, and percussion. It was received positively by music critics. Robert Palmer called it one of 1981's "freshest records". For ''Billboard'' magazine, Leo Sacks wrote that "the beauty of this album is that it is so natural, so kinetic, and so compelling."〔 ''The New York Times'' placed ''ESG'' second on its list of the best EPs and cassettes of 1981, and ''The Village Voice'' placed the EP third on its Pazz & Jop critics' poll.
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